Derek Edward Love @dereklove

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Bridget Riley, Current (1964). From the exhibition Making Space: Women Artists and Postwar Abstraction.
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Bridget Riley, Current (1964). From the exhibition Making Space: Women Artists and Postwar Abstraction. ♀

Magdalena Abakanowicz, Yellow Abakan (1967 – 1968). From the exhibition Making Space: Women Artists and Postwar Abstraction.
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Magdalena Abakanowicz, Yellow Abakan (1967 – 1968). From the exhibition Making Space: Women Artists and Postwar Abstraction. ♀

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Carmen Herrera, United (1952). From the exhibition Making Space: Women Artists and Postwar Abstraction.
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Carmen Herrera, United (1952). From the exhibition Making Space: Women Artists and Postwar Abstraction. ♀

Rei Kawakubo / Comme des Garçons: Art of the In-Between
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Rei Kawakubo / Comme des Garçons: Art of the In-Between

Rei Kawakubo / Comme des Garçons: Art of the In-Between
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Rei Kawakubo / Comme des Garçons: Art of the In-Between

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Rei Kawakubo / Comme des Garçons: Art of the In-Between
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Rei Kawakubo / Comme des Garçons: Art of the In-Between

FiDi
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FiDi

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Material semiotic analysis
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Material semiotic analysis

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